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Dating minton pottery marks
Grace’s Guide is the leading source of historical information on industry and manufacturing in Britain. This web publication contains , pages of information and , images on early companies, their products and the people who designed and built them. He became famous for Minton ware, blue-printed cream earthenware majolica, bone china and Parian porcelain. His products were mostly standard domestic tableware in blue transfer printed or painted earthenware and china, including the ever popular Willow pattern.
The Project Gutenberg EBook of China and Pottery Marks, by Unknown This eBook is for the Pottery Marks Author: Unknown Release Date: July 24, [EBook #] Language: English Established in by Mr. Thomas Minton.
Mintons was a major company in Staffordshire pottery , “Europe’s leading ceramic factory during the Victorian era”,  an independent business from to It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and “a glorious pot-pourri of styles – Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions”.
The family continued to control the business until the midth century. Mintons had the usual Staffordshire variety of company and trading names over the years, and the products of all periods are generally referred to as either “Minton”, as in “Minton china”, or “Mintons”, the mark used on many. Mintons Ltd was the company name from onwards.
The firm began in when Thomas Minton — founded his pottery factory in Stoke-upon-Trent , Staffordshire, England as “Thomas Minton and Sons”, producing earthenware. When Poulson died in , Minton carried on alone, using Poulson’s pottery for china until He built a new china pottery in No very early earthenware is marked, and perhaps a good deal of it was made for other potters. On the other hand, some very early factory records survive in the Minton Archive , which is much more complete than those of most Staffordshire firms, and the early porcelain is marked with pattern numbers, which can be tied to the surviving pattern-books.
Early Mintons products were mostly standard domestic tableware in blue transfer-printed or painted earthenware, including the ever-popular Willow pattern. Minton had trained as an engraver for transfer printing with Thomas Turner. From c production included bone china from his partner Joseph Poulson’s near-by china pottery.
Mintons Ltd. (England) plates, platters and chargers
Minton Unidentified Pattern China – 29 items found. Pretty little jug printed in a turquoise blue. Backstamp: Mintons. There are a couple of minor stains inside to the base and a little wear to the gilt otherwise excellent condition. Dimensions: 0. Gorgeous little jug with fluted detail to the body and pattern also to the inside rim.
IV. PREFACE. The Marks on Pottery and Porcelain are of three kinds FORLI ... Also without date, and with signature of. Lcucadius Solombrinus,
Some marks will also date an item. Makers were inconsistent. Some marked everything, some just a few pieces, many marked only the main piece of a set or service. Minton was perhaps the most consistent. Click here for a selection of marked Minton ware, then click the View More Images button to view the marks on the undersides. Wedgwood were also reasonably consistent.
Minton — Ceramics
The seller did not know the maker or date, but I have identified them as Minton, circa , through www. The pattern appears to be stamped, with the colors being hand-enameled. One plate has an additional hand painted mark of two small vertical dashes with a longer vertical line to the right; this mark can also be seen as two horizontal dashes with a longer horizontal line beneath and looks somewhat like an emoticon smiley face.
As peculiar as some of the pieces themselves, the language of ceramics is vast and draws from a global dictionary. Peruse our A-Z to find out about some of the terms you might discover in our incredible galleries. Ceramic objects are often identified by their marks. Marks like the Chelsea anchor or the crossed-swords of Meissen are well known and were often pirated , while the significance of others is uncertain. One such mysterious mark is the capital A found on a rare group of 18th-century British porcelains.
Once considered Italian, the group has been tentatively associated with small factories or experimental works at Birmingham, Kentish Town in London, and Gorgie near Edinburgh. The most recent theory is that they were made with clay imported from Virginia by two of the partners in the Bow porcelain factory. If so, the ‘A’ might refer to George Arnold, a sleeping partner in the firm. This is because the first ‘baking’ implied in its original usage would have been to fuse raw materials, not for firing the shaped ware.
Unless made from materials that vitrify at high kiln temperatures, biscuit ceramics are porous. To make them impervious to liquids, they require a glaze and a second ‘glost’ firing. But sometimes porcelain figures and ornamental wares are left in the unglazed biscuit state for aesthetic reasons. These porcelain figures were much more expensive than glazed and enamelled versions, as there was no covering to mask imperfections.
A-Z of Ceramics
Why the marks are important T he object of a ceramic trade mark is to enable at least the retailer to know the name of the manufacturer of the object, so that re-orders, etc. In the case of the larger firms the mark also has publicity value and shows the buyer that the object was made by a long-established firm with a reputation to uphold; such clear name marks as Minton, Wedgwood, Royal Crown Derby and Royal Worcester are typical examples.
To the collector the mark has greater importance, for not only can he trace the manufacturer of any marked object, but he can also ascertain the approximate date of manufacture and in several cases the exact year of production, particularly in the case of 19th and 20th century wares from the leading firms which employed private dating systems. With the increasing use of ceramic marks in the 19th century, a large proportion of European pottery and porcelain can be accurately identified and often dated.
Beautiful example of Minton Pottery, this particular plate was released in Featuring Impressed Minton Mark on Base with Date Mark.
I have an old 8 inch plate of grape leaf. Has a symbol of the suns rays but no center. Is this an old ‘s symbol? The number 7 is marked into the clay on back also. Any help appreciated. I have a pitcher, a frog strattling a fish, that I would like to know if it is Majolica or not. The mark underneath is of a square inside a hexagon that is attached to a circle. The circle is either under the hexagon or above it, depending on which way you look at mark.
My research of the piece keeps saying it is Majolica, but the mark does not match.
These items are not for sale and the descriptions, images and prices are for reference purposes only. You can reduce the number of items displayed by entering a keyword that must be included in the description of the item. Good hand painted Minton display plate blossom decorated, gilt rim, marked to base and H, diameter 27 cm. A fine Minton pink ground pate-sure-pate dessert plate by Desiree Leroy, circa finely decorated with birds, butterflies and flowers, on a pink ground within a pierced and gilded border A Mintons cabinet plate , circa the central panel painted with a spray of colourful spring flowers within an ornately decorated raised gilt border, with reserved panels of birds, signed H.
There are several general rules for dating ceramic marks, attention to which will From the earliest days of the China trade, Chinese porcelain had been highly valued by He was famous for Minton ware – a cream-coloured and blue-printed.
Minton Secessionist Pottery The basic outline of the history of Minton Secessionist is known, but many details have yet to be discovered. Mintons had been trying out new design ranges, but not all were successful, so some designs were incorporated into the Secessionist range. In addition to these ranges Mintons had been making art nouveau tiles designed by Reuter before Solon joined the company.
The Secessionist range was extremely successful because it appealed to a wide range of pockets. At the top end, its large jardinieres on stands and floor standing vases were fairly expensive, although cheaper than many competitors, but the range also included everyday objects such as soap dishes, trinket sets, sponge holders, tea and coffee sets, comports and even a watering can. The fact that these were in everyday use has meant that many were damaged in use and subsequently destroyed while others were no doubt thrown out when tastes changed later in the century.
There are, I think, three periods which can be identified. The First Period runs from around to circa when Solon left the company. The early pieces are all designed by Solon and are mostly overtly art nouveau in shape, pattern and even colour. These early pieces feature peacocks, flowers and various art nouveau trailing motifs. They are produced in a variety of techniques usually combining moulded relief with block printing. The basic shape would be produced in some quantity in moulds incorporating the raised relief.
These would then be passed to decorators who would add the block printing where required and then colour the pieces with lead glazes. They would be encouraged to be quite loose in their technique so that runs and irregularities could be seen.
Majolica – Makers’ Marks – Minton, Wedgwood, George Jones and Holdcroft
While it is not possible to include a complete list, particularly those of extremely rare specimens, those compiled have particular reference to the marks of English china which is greatly in demand by collectors. These will suffice to enable the reader to identify pieces whenever encountered. The signatures or mark which the master craftsmen in earth or clay signed their products, just as a painter signs his work, were often specially designed devices of various kinds, often a combination of initials and dates.
Beginning more than a half century ago in the old La Farge House in lower Broadway where John La Farge was born the house of Gilman Collamore and Company has done much to develop an appreciation of fine china in America.
Help with Minton marks & cypher date codes. Hand painted? Discussion in ‘Pottery, Glass, and Porcelain’ started by Mill Cove Treasures, Jun.
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